DELUXE TWO-DISC EDITION 　　AVANT-GARDE 3 EXPERIMENTAL CINEMA 1922-1954 　　CAVALCANTI MAAS PETERSON BROUGHTON BUTE KESSLER WHITNEY KIRSANOFF MURPHY MARC'O WATSON HUFF 　　From THE Collection of THE GEORGE EASTMAN HOUSE AND FROM THE RAYMOND ROHAUER COLLECTION 　　From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery.

DELUXE TWO-DISC EDITION 　　AVANT-GARDE 3 EXPERIMENTAL CINEMA 1922-1954 　　CAVALCANTI MAAS PETERSON BROUGHTON BUTE KESSLER WHITNEY KIRSANOFF MURPHY MARC'O WATSON HUFF 　　From THE Collection of THE GEORGE EASTMAN HOUSE AND FROM THE RAYMOND ROHAUER COLLECTION 　　From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery.

Rolli and little elf girl Juniper along with the rest of the rollis and other strange creatures lead peaceful and rollishly fun lives in their flourishing Rolli Village. One day the inquisitive friends Rolli and Juniper hear incredible news from Malcolm the Maggot: somewhere far away, beyond mountains, forests and the sea, lies a place called The Beginning of All Time. That’s where the storks always take off on their trips to deliver babies in small bundles to their new homes. Rolli and Juniper cannot help but become curious. Both of them have fallen into Rolli Village in a bundle from the sky, and especially Juniper has always wondered where she came from. The two friends decide to throw themselves into a joint adventure. They embark on a trip toward The Beginning of All Time in order to find the answer to life’s greatest secret.

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Based on Érico Verissimo's literary trilogy, Time and the Wind follows 150 years of the Terra Cambará family and their opponents, the Amaral family. The struggles between the two families begin in the missions and lasts until the end of the 19th century. The film also features the period of formation of the state of Rio Grande do Sul and the dispute of territory between the Portuguese and Spanish crowns.

1919: the World War is over. Kay Conway celebrates her 21st birthday and all the family look forward with hope and confidence. Then Time begins to conjure with them and offers a dark glimpse of what the future could really bring.

Marseille, July 1905. Nearly a teenager, Marcel Pagnol embarks in his last summer vacation before high school and returns, at last, to his beloved hills in Provence. What begins as a summer of boyhood adventures becomes one of the first loves, and unearthed secrets.

The lives of five young villagers change forever when a strange and powerful woman arrives, claiming one of them is the child of an ancient prophecy with the power to tip the balance between Light and Dark forever. They must choose whether to trust this stranger – and each other – with the fate of the world before the Dark One breaks out of His prison, and the Last Battle begins.

The doors of the past open one by one when the path of the computer genius Sinan, who lives an asocial life without communicating as much as possible with people despite the opportunities he has, crosses with Nevra, the attractive beautiful daughter of one of the most important businessmen in Turkey. With the secrets revealed, Nevra also encounters her own reality. Together they embark on a tense journey towards their roots. The confrontation and passionate love they will experience will bring many disasters and deaths

A boy is orphaned and his only surviving relatives, an ageing aunt and uncle, somewhat reluctantly, take him in. The aunt, still traumatised by the death by drowning, years earlier, of her own two sons, has little idea how to handle the boy. As if, losing his parents and not really feeling welcome in his new home, were not enough, the boy is bullied at school. He seeks sanctuary from all of his troubles in the open air, in the company of wolves and particularly in the presence of a young wolf whose life he has saved.